ABC, L’Italiano s’Impara Cosi' or How to Learn Italian in One Hour

Photo by Ivan Seligman.

Everyone should be taught Italian like this. Splashy, colorful maps, poetry, music, a crash course on love and unapologetic impersonations of Italians from different regions telling the same story, each in a distinctly different way. The formidable, demanding and unflappable Professor Margharita, as played by Laura Caparrotti, made a rare appearance at The Cell Theater in NYC on October 5, 2010. A,B,C L’Italiano s’Impara Cosi’, is a one-woman show written and starring Caparrotti. She created Professor Margharita about 10 years ago, mainly for students. It was so well received, she has adapted it to a theater experience.

The Professor-Diva first appears on stage and, not pleased with the level of audience enthusiasm, gives us a loud “A-hem”, leaves the stage and makes her entrance again. Her message is clear and we, her lackluster students, applaud wildly this time. Her smile is approving. The chain of command is clear. We are her captives for the duration of the lesson.

The Professor is dressed in some combination of royalty-gypsy-showgirl. A long dark blue velvet coat covered with loops of beige ribbon and a gold lame’ turban adorned with 2 long, beaded tassels on either side of her face that swing with every move of her head. You can’t take your eyes off of her.

She begins with a history lesson of the Italian peninsula’s changing empires over the centuries. Using oversized, colorful maps, she brings home the point that after 150 years, unification is more concept than reality.

This is comically illustrated by taking 6 cities, from north to south, and impersonating a citizen from each one as they face various situations. The cities are Bolzano, Milan, Florence, Rome, Naples, and Palermo. The Professor explains why the inhabitants are so different from each other and then embodies each one, through song and storytelling. This culminates in a skit involving each citizen giving eyewitness testimony to the same crime: a drive-by shooting on an Italian street. While the crime isn’t funny, the testimony each witness gives is so heavily influenced by the town in which they live that it’s hilarious. This segment is based upon The Deposition by Tuscan actor and writer Uberto Kovacevich.

When the show was over I didn’t want it to end. Luckily, Caporrotti is working on a second act to teach us even more distinctly Italian elements.

Laura Caparrotti is the Artistic Director of KIT-Kairos Italy Theater in New York City. She is a playwright, journalist, Italian and Theater teacher, lecturer, curator and panelist for the New York State Council on the Arts. After years of professional theater in Italy, she relocated to New York where she has directed and/or performed in venues like The Kitchen, The Fringe Festival, Abrons Arts Center, Bernie West Theatre, Casa Italiana Zerilli Marimo’, Center for Jewish History and Lincoln Center. Off Broadway, she served as Assistant Director in Souls of Naples featuring John Turturro. She is also the worldwide representative for the Italian icon, Antonio De Curtis, better known as Totò.

Tosca E Le Altre Due, Tosca and the Two Women Downstairs

I had the pleasure of a rare theatric experience on Wednesday night, February 3 at The Cell theater in NYC. A gem of a production, Tosca E Le Altre Due by Franca Valeri presents themes of socio-economic class differences, social mores, relations between the sexes and the consequences of personal and civic violence, just to name a few. All of this is presented through the lens of biting social satire as we watch two women meet and unfold their lives against the backdrop of Puccini’s Tosca, going on all around them.

Valeri created this work of fiction by creating Emilia and Iride, the wives of the jailer of Castel Sant’Angelo and Sciarrone the torturer, respectively. Most of the action occurs in Palazzo Farnese, where the fiery plot of Tosca is in full blaze. Emilia and Iride’s conversations are punctuated by the screams of Mario Cavaradossi and the crashing and fighting of the Baron and Tosca.

Laura Caparrotti and Marta Mondelli play two women from different worlds who are united by the violence in their lives. Each has different reasons for being there and each ultimately decides differently about her future. If it sounds like a heavy, dark story, it is in a way. But the beauty of Valeri’s writing and Caparrotti and Mondelli’s acting is that as you’re watching the play it seems light and at times quite funny. The deeper story streams from the seeming triviality of their conversations and the interruptions of the Tosca story unfolding all the while.



The play is performed in Italian with English subtitles. Not just Italian, but Roman and Milanese dialect. Due to the logistics of the space, the subtitles were projected onto the flat, white wall in the upper right hand side of the action. Therefore, in order to read them, I had to take my eyes off of the actresses to keep up with the story. Unfortunately, this meant that I missed some of the subtlety of the acting conveyed in facial expressions and body movement.

Franca Valeri is one of Italy’s favorite actresses and satirists. Now at 90 years old, she will debut a new play in Rome in October, 2010. Over her long career, she created a gallery of female characters with which she has “mocked the vices and snobberies of bourgeois life and de facto become a humorist for intellectuals that is liked by the masses.” This show is a great way to be introduced to, or continue to appreciate, Valeri’s work.

Tosca E Le Altre Due runs from February 3-21, 2010.
When: February 3-21, 2010
Where: The Cell, 338 W 23rd Street, Manhattan
Presented by Kairos Italy Theater and The Cell

To learn more, click here.

KITCAFFE’, Italian Literary Salon, Debuts in Montclair, NJ

On Sunday, November 8, 2009, Kairos Italy Theater (KIT) in Manhattan collaborated with Trumpets Jazz Club in Montclair, New Jersey to debut a literary series in Italian and English: KITCAFFE’. In centuries past, beginning in Paris and then all over Europe, Cafés and Salotti Letterari were meeting points for artists and intellectuals to discuss ideas as well as everyday facts. While the Cafés were open to the public and attended mostly by men, the Salotti Letterari were private events, organized by culturally refined women, often aristocrats. The Salotti brought people of different backgrounds together to exchange opinions and knowledge.

Kairos Italy Theater is now recreating its own Salotto-Caffe’ Letterario series, hosted by Laura Caparrotti and Marta Mondelli. Sunday afternoon was a two-hour event, where we were introduced to two wonderful Italian writers, Leonardo Sciascia and Gesualdo Bufalino, both from Sicily. Excerpts from Sciascia’s Il Giorno Della Civetta (The Day of the Owl) and Bufalino’s Le Menzogne Della Notte (The Lies of the Night) were read to us by our hosts, first in English and then in Italian. Copies of the reading material were provided to us so we could better follow the Italian reading. Since Caparrotti and Mondelli are both professional actors with KIT, the readings were beautifully done and communicated the emotion of the pieces, regardless of the language in which they were read.

Leonardo Sciascia, born in Racalmuto, Sicily and died in 1989, is considered one of Italy’s most important modern writers. His writings include The Dark Wine Sea, Salt on the Wound and Todo Modo. He was also a controversial political commentator within Sicily. The Day of the Owl is a short novel denouncing the Mafia’s powerful hold on a Sicilian town. A man is shot running for a bus in the piazza and the investigating officer finds himself up against a wall of silence.

Gesualdo Bufalino was a modern novelist (1920-1996) who found literary fame after his retirement from teaching in 1976. A recipient of the Campiello Prize for his first novel, Diceria dell’untore (The Plague Sower), he also won the Strega Prize in 1988 for Le Menzogne Della Notte (The Lies of the Night). Lies of the Night is a story of four men accused of sedition and sentenced to die in the pre-Risorgimento Bourbon kindom of Southern Italy. Their only chance to survive is to reveal the identity of the mastermind behind their crime. What ensues is a night of stories both revealing and obscuring the identity and existence of the mastermind.

The evening’s readings were followed by a Q&A and accompanied by wonderful Italian pastries, coffee and wine, compliments of Trumpets Jazz Club.

I have wanted to explore contemporary Italian literature, but didn’t know where to begin. KITCAFFE’ provided the perfect opportunity to sample important works from famous writers. Another KITCAFFE’ is scheduled at Trumpets Jazz Club in Montclair, NJ for Monday evening, December 7, 2009.

To learn more, visit kitheater.com and trumpetsjazz.com.